ABE 008
Advanced Architectural Theory Research Seminars
Ecologies of Architecture IV: Chaosophy
Ecologies of Architecture IV: Chaosophy
Course
Data
Course code
ABE 008 Course type Advanced courses on a range of topics involving architectural/urban theory, philosophy, cultural analysis and science Most appropriate for PhD candidates at all stages Costs Free for PhD candidates of A+BE Graduate School Number of participants min. 10 /max. 12 Name of lecturer(s)/coach(es) Dr.ir. Andrej Radman (lecturer), ir. Stavros Kousoulas (assistant) Course load Active period: 28 hours contact (seminar) plus 28 hours self-study (preparation) Graduate School credits 4 Assessment Attendance and active participation Period Once a year in Spring Upcoming course dates and times Spring 2017, Mondays 14:30-18:00 (see detailed schedule in course description) Enrolment Contact: a.radman@tudelft.nl |
Course Description
Advanced Research
Seminars
The Theory Section (formerly DSD) of the
Architecture Department is offering a new doctoral seminar, entitled ‘Advanced
Architecture Theory Research Seminars’, to PhD candidates and advanced
researchers affiliated with the Graduate School whose research topics relate to
architectural and urban theory, philosophy, and contemporary concerns of
spatial, social, cultural and scientific relevance to the disciplines of
design. The course is framed within a fortnightly seminar structure in which
participants will engage in guided readings and group-discussions on the
thematic of each individual session. Ultimately the aim is to generate an
intense research environment in which all participants will not only gain
knowledge on a specific topic, but will also develop a set of useful
methodological and research skills. The course was launched in Spring 2014 with
the pilot seminar ‘Ecologies of Architecture’ [æ] under the guidance of Andrej Radman (Theory
Section). æ2 in 2015 dealt with the Affective Turn (A. Radman and S. Kousoulas) and æ3explored the concept of Futurity (A. Radman and S. Kousoulas). æ4 will be devoted to the concept of Chaosophy.
æ4: Chaosophy (Spring
2017):
The key error of Western
thought has been transcendence. We begin from
some term which is set against or
outside life, such as the foundation of
God, subjectivity or matter …
Transcendence is just that which we imagine
lies outside (outside thought or
outside perception). Immanence, however,
has no outside and nothing other than
itself. … Deleuze argues for the
immanence of life. The power of
creation does not lie outside the world like
some separate and judging God; life
itself is a process of creative power …
To think is not to represent life but
to transform and act upon life
(C. Colebrook, Understanding
Deleuze, xxiv).
New Materialisms in general, and the Affective Turn in particular, seem
to be gaining momentum to such an extent that even some of the scholars of this
affiliation urge caution. As it happens, many a logocentric thinker has been
unjustly turned into a straw person. However, as far as the discipline of
architecture is concerned, this otherwise healthy dose of scepticism is not
only premature but also counterproductive. Somewhat paradoxically, architecture
has historically undergone a gradual disassociation from the material realm and
become an ultimate white-collar profession. The consequent withdrawal from
reality ("into itself") has been seen either as (bad) escapism or as
a (good) strategy of resistance. The urge to ward off the givens and to
continue to contemplate alternatives is most worthy. Especially in the light of
the recent tendency to jump on the band wagon of ¥€$ (is more) "pragmatic yet
utopian [sic] third way." Architects seem desperate in their effort to
catch up with the media. The spearhead of critical theory in architecture
Michael Hays laments how the most theoretically aware contemporary architects
have unfortunately rejected what he sees as the most important operative
concept of the theory of architecture at the moment of its re-foundation in the
1970s, namely autonomy. But this
idealist bracketing comes at a price. Architects end up painting themselves
into a corner of impotence by depriving themselves of the means to intervene
which, after all, has always been the main trait of (any) materialism. As Eugene Holland admits, "any
[posthuman] postmodern Marxism worthy of the name will want to abandon
teleology and adopt contingency and emergence as better paradigms for
understanding history." Félix Guattari’s Chaosophy provides a viable strategy of resistance which lies not
in opposition but in strategic affirmation. His groundbreaking schizoanalysis replaces Freudian
interpretation with a more pragmatic, experimental, and collective approach
rooted in reality. Unlike Freud, who utilised neuroses as his working model,
Guattari adopted the model of schizophrenia--which he believed to be an extreme
mental state induced by the capitalist system itself, and one that enforces
neurosis as a way of maintaining normality. Guattari’s post-Marxist vision of
capitalism provides a new definition not only of psychopathology, but also of
the micropolitical means for its subversion.
Schedule
February 20, 2017 / 14:30-18:00 / 1+.Oost.860
Session 1: Introduction
• Capitalism: A Very Special Delirium [CS 35-52]
• Psychoanalysis Should Get a Grip on Life [GR 69-73]
March 06, 2017 / 14:30-18:00 / 1+.Oost.860
Session 2: Anti-Oedipus
• Capitalism and
Schizophrenia [CS 53-68]
• The First Positive Task of
Schizoanalysis [GR
77-94]
March 20, 2017 / 14:30-18:00 / 1+.Oost.860
Session 3: Subjectivities
• Balance-Sheet for "Desiring-Machines" [CS 90-115]
• Regimes, Pathways, Subjects
[GR 95-108]
April 03, 2017 / 14:30-18:00 / 1+.Oost.860
Session 4: Schizoanayisis
• The Best Capitalist Drug [CS 141-153]
• Semiological Subjection, Semiotic Enslavement [GR 141-147]
April 24, 2017 / 14:30-18:00 / 1+.Oost.860
Session 5: Microfascism
• Everybody Wants to be a Fascist [CS 154-175]
• The Place of the Signifier
in the Institution [GR
148-157]
May 08, 2017 / 14:30-18:00 / 1+.Oost.860
Session 6: Minor Politics
• Becoming-Woman [CS 228-231]
• Microphysics of
Power/Micropolitics of Desire [GR 172-181]
May 22, 2017 / 14:30-18:00 / 1+.Oost.860
Session 7: Machinism
• Cinema of Desire [CS 235-246]
• Ritornellos and Existential
Affects [GR
158-171]
June 12, 2017 / 14:30-18:00 / 1+.Oost.860
Session 8: Conclusion
• Molecular Revolutions [CS 275-281]
• Subjectivities: for Better
and for Worse [GR
193-203]
Learning Objectives
In a desperate attempt to catch up with forms of contemporary image
culture, architects tend to forget where their strength lies. To speak of
culture as forms of life, as Scott Lash argues, is to break with earlier
notions of culture as representation, as reflection. It is to break with
judgement for experience, with epistemology for ontology, and finally to break
with a certain type of cognition for living. While accepting multiple scales of
reality the Ecologies of Architecture opposes the alleged
primacy of the ‘physical’ world discovered by physics. By contrast, it posits
that what we have to perceive and cope with is the world considered as
the environment. The emphasis is on the encounter, where
experience is seen as an emergence which returns the body to a process field of
exteriority. The ultimate goal of the Ecologies of Architecture is
to debunk hylomorphism - where form is imposed upon inert
matter from without and where the architect is seen as a god-given, inspired
creator and genius – and to promote the alternative morphogenetic approach that
is at once more humble and ambitious. Action and perception are inseparable at
the ‘mesoscale’ which is commensurate with life. In other words, if the objects
of knowledge are separated from the objects of existence, we end up with a
duality of mental and physical objects that leads to an ontologically indirect
perception. By contrast, the premise of the Ecologies of Architecture is
that perceptual systems resonate to information. This ‘direct
realism’ is grounded on the premise that, from the outset, real experience is a
relation of potential structure – distribution of the sensible -
rather than a formless chaotic swirl onto which structure must be imposed by
cognitive process. The world is seen as an ongoing open process of mattering,
where meaning and form are acquired in the actualisation of different agential
virtualities. Following Deleuze's argument, it is possible to assert that the
genetic principles of sensation are thus at the same time the principles of
composition of the work of art(efact).
At the conclusion of each seminar / course
the participants will have:
• gained knowledge and understanding on the specific
thematic and context of each seminar (content-based)
• associated the contents of the seminar to his or her
own research topic, expressing this relationship in concrete, relevant ways
(argument-based)
• developed skills relevant to carrying out advanced
research: from following intensive readings and discussing them in a peer
work-group, to preparing an academic research paper for publication
(method-based)
Teaching Method
This course will follow a seminar structure and advanced research
methods. Depending on the individual seminar leaders, the seminar will follow a
series of formats, but generally will be based on fortnightly research output
presentations, followed by a discussion on sources, references and
bibliographies, which will involve the creation of an information nexus for the
seminar discussions. The ultimate goal of each seminar is to assist the
participants to develop reasoned and convincing argument, as well as to develop
scholarly research papers for publication.
Reading
Guattari,
Félix, Chaosophy, ed. Sylvere Lotringer (Los Angeles:
Autonomedia/Semiotext(e), 1995). [CS]
Guattari, Félix, The Guattari Reader, ed. Gary Genosko (Oxford: Blackwell Publishers,
1996). [GR]
About the
Lecturer
Andrej Radman has been teaching design studios
and theory courses at TU Delft Faculty of Architecture and The Built
Environment since 2004. In 2008 he was appointed Assistant Professor of
Architecture and joined the teaching and research staff of the Delft School of
Design (DSD). As a graduate of the Zagreb School of Architecture in Croatia,
Radman received a Master's Degree with Honours and a Doctoral Degree from Delft
University of Technology. His current research focuses on new materialism in
general and radical empiricism in particular. Radman is a member of the
National Committee on Deleuze Scholarship, and production editor and member of
the editorial board of the peer-reviewed architecture theory journal Footprint.
He is also a licensed architect with a string of awards from national
competitions, including the Croatian Association of Architects annual award for
housing architecture in Croatia in 2002.
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